Introduction To The World Of Mirzapur…

Approaching Christmas 2018, rather than the festive lights of London I found myself completely immersed within the eastern lights of Mirzapur and to tell you the truth, I haven’t quite left since! Born and raised in London, I have never seen such a place but thanks to Excel Entertainment’s Amazon Prime Original: Mirzapur, I was hooked and madly in love! Before I carry on with my Mirzapur appreciation and analysis, please only continue reading this if you have completed the first season of Mirzapur…as there are major spoilers ahead! But I’m sure everybody has binge-watched the hell out of this show!

This Summer, I caught myself re-watching this rather ‘beautifully disturbing’ story, amidst the current Covid-19 Pandemic. Revisting this show, I found myself experiencing the exact emotions that I felt a year and half ago. I was yet again making those Mirzapur references, talking about the characters, their crazy world and the various comedic moments (who could forget those ‘slaps’?) A memorable fan favourite moment of mine, is Guddu hilariously slapping the irritating motor cycle rider whilst making a cute phone call to Sweety. Another hysterical moment was Divyansh Dwivedi’s introduction as the kid with attitude serving ‘aloo patis’. I must add, that my Hindi vocabulary has become a lot more ‘colourful’ since! Of course, the central elements of the show are deeply rooted in the intricately woven dramatic nuances and tragic plight of the unforgiving world of Mirzapur and it’s central characters. This is what makes Mirzapur so classically iconic as it dives deep into our soul and digs out the various human emotions that make up the human condition with it’s authentic portrayal of a social and economic world in need of respect. As a British- born Desi, who has never been around a town like Mirzapur; how was it that I could connect to that world? Each character was so memorable for me and I don’t think that I have ever enjoyed watching an ensemble cast on screen this much before. Every character and actor compliments the other effortlessly!

Sitting so far away in London, I could feel the raw and visceral energy of the U.P. streets, that passionate Director Gurmmeet Singh has immortalized on screen in the roller-coaster ride that is Mirzapur! He steers us on this ‘high-octane’ adventure along with Creator/Director Karan Anshuman. The Core Team at Excel Entertainment also including Creator Puneet Krishna, fellow Writer Vineet Krishna, fellow Director Mihir Desai and of course Executive Producers Ritesh Sidhwani and Farhan Akhtar have crafted a rare jewel in such an enigmatic and dare I say bloody brilliant show!

We are first introduced to Munna, ‘Prince of Mirzapur’. Divyenndu Sharma basks in an insane madness of sheer dramatic delight. His chaotic lack of inhibitions and basic concern for humanity are instantly revealed as he ruthlessly laughs off killing the Dulha during the initial Baraat scene, whilst trigger happily dancing away. His father, Akhandanand Tripathi (Kaleen Bhaiya) is the ‘King of Mirzapur’. Kaleen Bhaiya is the ultimate on screen villain played to perfection by the always calm yet magnificent Pankaj Tripathi, who runs a legitimate carpet (kaleen) company, but let’s just say that the Kaleen is not so clean! He is persuasive and powerful without raising his voice. This Indian Godfather of our time is the epitome of an actor who can play any role and make it an instant classic. Kulbhushan Kharbanda’s wheelchair bound Satyanand Tripathi (Bauji) is the former ‘King of Mirzapur’. Shakespearean in his portrayal, he enjoys watching Nature Documentaries and tearing apart that mutton gosht for dinner (of course, not the only excitement in his day!). Rasika Dugal’s masterclass as Beena Tripathi is multi-faceted and she is sheer brilliance beautifully showcasing being the ‘adarsh bahu’ of the household. Her ‘bedroom eyes’ (to put it in a polite way) retain a dramatic eloquence to her fine performance. Who could forget Beena with her servant of the household Raja? We all know he didn’t just serve ‘Gajjar ka Halwa’ in the Tripathi Niwas! Played with great authenticity by Nitin Mahesh Joshi.

Ali Fazal’s Guddu, the aspiring ‘Mr Purvanchal’ is the ultimate fan favourite protagonist that embodies all the hallmarks of a timeless cinematic icon. His portrayal of Guddu Bhaiya is a ferocious, multi- layered powerhouse performance which arguably is the heart and soul of the show. His character arc begins with an impressionable innocence but gradually descends into an almost Brando meets Sanjay Dutt self-reflective method acting sensitivity that pivots the show’s trajectory. Vikrant Massey’s soulful portrayal of the intelligent Bablu, is the much needed balance and calming presence in Guddu’s life. His plight is the ultimate example of a selfless sacrifice, as a once ‘accounts topper’ who may have had a completely mundane corporate life but ends up in a completely opposite world. His emotional resonance encapsulates the genuine ‘kismet’ of humanity as he ends up paying the ultimate price. Guddu and Bablu completely balance each other with a yin and yang duality that makes their brotherhood all the more watchable as the perfect protagonists in an ever engaging journey of highs and lows.

Shaji Choudhary is Maqbool, the Tripathi Parivaar’s loyal henchman chizzled with a Herculean physique and an underlining glimpse of genuine loyalty. Compounder is Munna’s ‘Maqbool’ who has an insane appetite for ‘slicing and dicing’ in a trigger happy town. Abhishek Banerjee is riveting to watch in this multi-faceted dissection of a loyal friend without boundaries. His work is that of a theatrical master in his prime and is fast becoming a household name for his rogues gallery of brilliantly mad minds.

Guddu and Bablu’s noble, hardworking father, Ramakant Pandit played by Rajesh Tailang offers the show its conscience and ‘imandaar’ nature. His character exemplifies the middle class plight of a father in an honest, ‘no-bribe’ taking lawyer who continues to work with integrity. His wife, Vasudha Pandit played by Sheeba Chadha encompasses the wholesome nature of family life. Her maternal warmth adds a humorous understanding as to the choices Guddu and Bablu are making. She is the only family member enjoying the benefits of her sons’ employment. Munna finds the key weakness to Guddu and Bablu in their pretty and ethics driven sister, Dimpy played by a no doubt future star in Harshita Gaur who adds a ‘girl next door with a mean punch’ vibe that is refreshing and perfectly complimentary to the Pandit family.

Shriya Pilgaonkar’s Sweety is charming with dimples, which are enough to reveal a sensitive side to protagonist Guddu and even antagonist Munna. Sweety has a grasp over Guddu as he immediately goes from being a ‘Sher’ to a ‘sharmila’ school boy. Her authentic beauty and attitude create the engaging rivalry between the two alpha males in Guddu and Munna. Shweta Tripathi is Golu, the ‘Chuphay Rustom’ bookworm, who at first lives all her adventures through the pages she reads. Her trajectory from the Library Aficionado to Feminist Trailblazer adds many layers to the plot in a subtle yet intelligent way, showcasing a powerful female role model who challenges the archetypes of a male dominated society. Her friendship with Bablu progresses gently as both are lovers of words. Their union brings out a protective side to Bablu who encourages Golu to take on Munna with his full support. Golu and Sweety’s father, Gupta played by Shahnawaz Pradhan adds a dualistic position in the power structure of Mirzapur by being an officer of the law as well as Kaleen’s ‘unofficial’ employee. Pramod Pathak is fantastic as the powerful minster, J.P Yadav. On the contrary, Amit Sial’s curious Maurya, is an honest senior officer with an appetite for strawberry ice cream and severe dust allergies! His introduction demands change in the city, as he is sent to ‘clean up’ Mirzapur. I also applauded the introduction of the Transgender Community within the central storyline in streetwise Haseena and Jasmine played by character actors, Mukesh S. Bhatt and Arpit Gupta. Haseena wonderfully states: “Bohot ijaat diya aap logo nain…’’

Two Families Meet, Changing Their Lives Forever…

The day we are first introduced to the Tripathis and the Pandits, we are immediately transported into their milieu. The Cinematography by Sanjay Kapoor, Music by John Stewart Eduri, Editing by Manan Mehta and Production Design by Abhijit Gaonkar and Sonam Singh all made me feel like I was living in U.P. Across the first season of Mirzapur, specific events take place that hold great significance. The first is when Munna and his gang arrive at the Pandit household to threaten the ‘Vakeel’ (lawyer) who has taken on the ‘Dulha Murder’ case. “Mistake hua hai Pandit ji, Crime nahi”, states a threatening Munna to his prosecution lawyer. Keeping his cool, Ramakant questions without any hesitation, “kya karoge?”. Compounder then informs Ramakant of his middle- class position in relation to the Tripathi family: “Inke baap kaun hain, jaante hai na?”

Munna’s men verses the Pandits is a thrilling, edge of your seat experience with Munna’s ruthlessness at an all time high. We feel an astounding victory as the Pandits successfully fight back in true Desi style, using household utensils! Vasudha manages to grab a gun and shoot Munna’s friend’s ear. A personal favourite from a feminist standpoint was Dimpy pouring scalding hot chai on Compounder! Munna and his men are tackled to the floor as the Pandits win this battle, defending their home! Whilst the family is recovering from what has just taken place, Bablu is cautious and exclaims “yeh baat yaheen katam nai ho gi”, blaming his father on involving the family in the case.

As Dimpy looks out of the window, a harrowing Maqbool enters the scene.“Kaleen Bhaiya bulai hai?” Guddu and Bablu are given an ultimatum from Kaleen Bhaiya through Maqbool. The build up for this whole dramatic scene made me feel completely engaged and involved, as if the Pandit family were my own! On meeting Kaleen Bhaiya, the daring Pandit brothers are given an ‘offer they can’t refuse’.“Humare liye kaam karoge?…paanch minute dete hai. Soch lo!”
Whilst the brothers contemplate over this proposal, Bablu is hesitant as he worries about where this path may lead. He warns that “jis din hum iss line main gus ge hai na. Dobara, puri jindagi is ke bahar kabhi nahi nikhal payenge!”
On the contrary, an impressed Guddu suggests to Bablu that “bahar konsa badha ukhar liye ab hai hum? Doosro ke kaju kaarahe hai hum”. In Guddu’s mind, it is not like they have something better waiting for them.
Bablu comes to terms with their choice in order to protect the family as he states, “Papa ke sar se talvaar hut jayengi aur apni family… safe rahaingi”. As the brothers accept a future at the Kaleen Company, they are invited by Kaleen to dine with him at his table. “Family toh saat mein hi khaana kaathi hain…”. Offering them two revolvers placed in golden plates, he states to the brothers that “Sheher tumhare neechain kaam karega aur tum humare neechain”.

Pankaj Tripathi’s Kaleen Bhaiya is calm in nature and Don Corleone-esque showing us how he is completely unlike his hasty prince Munna and we are instantly shown why he is deservingly the ‘King of Mirzapur’. Much to Munna’s surprise, Kaleen Bhaiya has seen a spark that may prove useful to his assets. Thus, the Pandit brothers are given respect in return for their loyalty!

Loyalties Are Questioned…

“Mirzapur saaf ki jeeye…” – Maurya
The Mirzapur makers showcase a video game style sequence as Guddu and Bablu are pit against an army of Maurya’s men in a thrilling encounter filmed as a three minute single take, as the new ‘Lions of Mirzapur’, are chased following a drive home. Not so long ago, Guddu had comically stated, “Moht se toh hum bhi kehlte”. The shot beautifully sweeps and captures all levels of the Encounter by using a camera suspended on a cable from the roof of the building to give us a completely intimate and interactive visual experience that has a truly edge of your seat feeling! Along with the Pandit Brothers, we too feel elevated across the different levels of the location. It is as if we are climbing a virtual scoreboard of a video game, passing through the various levels to get to the finishing line. Almost metaphorically illustrating their rise in ranks as the ‘Lions of Mirzapur’ from mere Tripathi employees to integral parts of Kaleen’s company. The shot ends with a ‘Mumbai Mavericks’ radio announcement! (Any ‘Inside Edge’ fans?)

Compounder runs the ‘Kumar Dispensary’ but Munna and his men seem to be the only customers, seeking their next high. (Of course, Compounder is also responsible for offering his services to the hopeful ‘Mr Purvanchal’ Guddu). Just like Compounder’s medicine, Abhishek Banerjee is addictive to watch on screen. Taking his blind trust and love for Munna, Compounder offers to ‘speed up the process’ for Munna’s ‘coronation’ in an emptied out cinema hall (offering Mirzapur’s finest service, fit for royalty). On acceptance of Compounder’s proposal, Divyenndu brilliantly portrays this scene as Munna’s face is free from remorse, as if he were simply buying ‘paan’ from his local ‘daaba’. The failed hit on Kaleen Bhaiya is a thrill to watch as we now feel worried for Kaleen’s life. My initial thoughts were “oh no… where is Maqbool?” As Kaleen struggles to fight back his masked assassin, Bauji very comically aims his gun at the intruder and shoots successfully, without even having to leave his wheelchair!

As Compounder awaits his fate in Kaleen’s ‘waste-management’ warehouse, a disappointed Munna is left with no option but to say farewell to his best friend but also his father’s masked hitman. We witness Compounder’s last act of ‘wafadari’ in order to protect his beloved ‘Prince of Mirzapur’ by putting forth his own life in the hands of someone he loves! “Aapke paas koi option nahi” whispers Compounder in his last few moments.
It was in that moment, I found myself feeling rather upset. The pain for the pair is raw and in that moment, we see a brotherly love in Munna’s eyes for the very first time as he endures the inner turmoil of losing his only true friend…“wafadar toh bohot rahein humhare… iss mein toh koi shuq nahi hai”. Later, we also see an unusually sweet side to Munna as he offers to be a support system to Compounder’s Grandmother in the future.

“Underground matlab underground!” – Kaleen Bhaiya
As a direct result of the Maurya Encounter, Guddu, Bablu and Babar (Maqbool’s nephew played by the always genuine Aasif Khan) are forced into exile close to the Bihar border. Guddu is increasingly becoming paranoid and is no longer the naive student settling for a plate of eggs. He even doubts Kaleen Bhaiya’s intentions, to which Bablu replies: “Woh Kaleen Bhaiya hain, agar chaathein toh saam ne se nahi maar de te humko?”. In hiding, Guddu is now completely consumed to Compounder’s ‘poison’ as he swallows his medicine from the tip of his gun whilst the fuzzy repetition of a TV loops in the background. Guddu later lies in a bed of ‘Rupees’, as he is now the ‘Self-made Sher’ that nobody can cross…not even his ‘King of Mirzapur‘! Bablu’s fear of the change is evident, as he slowly watches Guddu drift off to sleep in a state of ‘nasha’. Bablu rethinks their ‘choices’ and position at the Kaleen company and contemplates leaving this jungle that is Mirzapur. He is scared not for himself but for what his beloved Guddu Bhaiya is becoming.

The next morning, Guddu and Bablu are greeted by Rati Shankar Shukla, ex- loyal Tripathi ‘bakht’ forced out of Mirzapur. “Har peeri main…baap betein haraami rahein”, states Rati Shankar who is played by an authentic Shubhrajyoti Barat. Rati Shankar is the Guddu and Bablu of his time and seeks to entice the brothers to join him in Jaunpur. “Tum bilkul humare jese ho. Milke Mirzapur chalayenge”.
Things very quickly spiral out of control as Guddu in a fit of rage pulls the trigger towards Shukla’s skull whilst reciting the Hindi alphabet in an improvised stream. The news is unveiled to Kaleen: “Yeh launde control mein nahi tumhare?…kaun order diya?” says J.P. Yadav as he shouts at Kaleen for the truce he organised between Rati Shankar and Kaleen being broken.

On their return to Mirzapur, Guddu no longer waits to be seated after Kaleen Bhaiya nor does he feel the need to seek approval for his daily tasks. An angry Kaleen Bhaiya announces that “humare ladke hum se bina pooche koi kaam nahi karte hain”. To which Guddu abruptly replies, “hum aapke liye naukri karte hain Kaleen Bhaiya… naukhar toh nahi hain”. Bauji later advises his son that “kechue dhood pee kar saanp na banjye, Akhanda. Diyan rahein!”. Kaleen Bhaiya has become weary of their behaviour and begins to question their loyalty. As we saw in the ‘Mr Purvanchal’ competition, the brothers have now been mentally discarded like the decaying rolls of an old carpet tapestry no longer fit for use.

A Moment of Peace Whilst A Storm Is Brewing…

The Shaadi Registration of Guddu and Sweety is arguably the moment of ‘shanti’ in the whole story as Guddu and Sweety become ‘Pati aur Patni’ giving themselves to each other forever. The beautiful Sufi song composed by Anand Bhaskar with shayari lyrics by Ginni Dewan is soulfully sung by Romy in ‘Vaaroon’, which flows through the harmonious textures of a theme that lingers into our hearts forever. With lyrics such as, “Ye Kismet ka Pehra”, we witness a perfect montage which so passionately paints the simplicity and honest spirit of a married union. As Guddu places the Sindoor on Sweety’s forehead, I can’t help but feel so emotional and happy for both these couples as Bablu gently wipes the ladoo from Golu’s face. Of course, this is one shaadi that sails smoothly! Thanks to Munna not being invited!

On returning to the Pandit house for ‘Sweety’s Swagat’, Guddu meets his parents who did not attend. Mr Pandit asks his son about his future plans: “Ab Shaadi kar li ho; Agay ka kuch soche ho?” Guddu ponders for a moment and replies with a self realisation of their uncertain path. “Papa kya hain na… jis raaste pe hum chale, wo hain one way; nah reverse gear hain na U Turn. Ab zyada mat sochye. Kyu kay hum bhi nain soche re hain… Kayee chinta kar re hain?” His Father replies “jab baap bano gai, tab samjo gai…”

The calm before Munna’s storm doesn’t last! Fuelling a continued hatred for Guddu and Bablu, Munna plants an unbelievably menacing and insidious seed in Maqbool’s head, which leads to Kaleen Bhaiya misunderstanding Guddu’s ‘repeat prescription’ phone calls. Thus, leading to Kaleen’s ultimate decision to lose trust in the ever-changing and rebellious Guddu. “Baara missed calls hai Compounder ke phone mein…result jaan ne ke liye bare bechan honge Guddu Pandit!”

During a scene in the Tripathi mansion courtyard, Father and Son reconnect through their protection of the Tripathi bloodline as Kaleen reaffirms his pride for his son as future heir of Mirzapur. “Hum bole teh, right time ayega toh control denge tumhare haat mein…ab right time agaya!” “Guddu Bablu jab join kiye te toh bole teh do jism ek jaan hain. Ayenge toh dono saat mein verna koi nahi… ab jayenge bhi dono saat mein!”
“Pehli baar aap hum pe vishwas dikhaye. Karenge!” Munna is rewarded with the duty to uphold the honour of the Tripathi Parivaar.

The Tripathi Rule Of Law…

At the local chai wala ‘daaba’ on the way to Gorakhpur for Dimpy’s saheli, Shabnam’s wedding, we learn of Sweety’s pregnancy, Golu’s presidency and of Guddu’s rehabilitation. As Guddu is vomitting, Bablu comforts him by washing his brother’s face almost like a badha bhai: “Itna jeher daley jo apne undhar Body Building ke dawaiyon ke naam pe… thore din rehainge ese lekin theek ho jayenge uske baad aap”. But as this is Mirzapur, good news doesn’t last so long!

Sweety, Golu and Dimpy arrive at the wedding alongside Guddu and Bablu, but something is clearly brewing and Shabnam’s wedding will be memorable for very different reasons. Sweety informs Guddu that “aap papa bun ne wale hain” but Guddu is recovering from weeks of ‘poison’ infecting his mind and body. Ali Fazal very convincingly depicts the blank facial expression of Guddu physically present but mentally vacant in this conversation between husband and wife. His fragility is also captured during a family photo on stage with the Bride and Groom, as the camera pans down to Guddu gently holding Sweety’s forearm in a poignant and touching moment. Moments later whilst splashing water on his face, Guddu regains consciousness, displaying a delayed reaction to Sweety’s pregnancy in a heartwarming moment (taking place in a men’s washroom of all places) where Ali Fazal’s Guddu, metaphorically cradles his future.

In the reception hall, an alert Bablu is accompanying his family where things shortly go haywire as Munna gate-crashes. This scene becomes tense but has a wonderful comical moment as an elderly ‘chacha’ still continues to dance to ‘Laila Main Laila’ after gun shots are fired. Anil George’s La La is sophisticated and oozes with class in his scenes as he is forced to deal with Munna ruining his pyaari beti Shabnam’s special day, played by Shernavaz Jijina. Munna then becomes responsible for yet another Dulha’s death. As Guddu returns to the hall, he is welcomed by Munna with numerous bullets, leaving Guddu to become severely wounded. As Sweety runs to protect her love, she is shot by Munna’s accomplice. Bablu swiftly responds with his gun but is also brought to the ground. Guddu is helplessly forced to look on in agony towards his wounded wife and brother. Munna then reveals to Bablu that he has been sent by their boss, Kaleen Bhaiya, “tumhare Kaleen Bhaiya hi humko permission di hai tum ko maar ne”. This prompts Golu to confront her once election opponent Munna with actions rather than words using a revolver she finds before her, but she is unsuccesful, as Munna violently pushes her to the floor: “Bandook nahi chalaane aati President Saahiba ko? College kese chalayengi aap?”.

Sweety begs Munna to stop, informing him of her pregnancy, hoping Munna will take some pity. “Hum pehtse hain…”. Munna looks back at Guddu and back to Sweety and exclaims “Sweety tumhain main apne jaan se jada love kiya tah aur tumhari peht main aaj, kisi aur ka…”. Munna then pulls the trigger on his college crush (potentially the one person who could have made him a better man) and I gasp! My heart is sinking but we are not given any time to digest what has just taken place. We, the audience feel like we are actual wedding guests and it feels as if we are witnessing the tragedy that is Shabnam’s wedding first hand.

Whilst the ‘Shaadi Massacre’ is taking place, Munna’s father and grandfather are also actively engaged in upholding the ‘Tripathi Rule Of Law’. We see Akhandanand Tripathi, not Kaleen Bhaiya as he shows Maurya who runs the town he is a mere employee in: “Jis Sheher mein aap naukhar bun kar aaye, hum Malik hain uss Sheher ke”. Bauji equally shows no remorse to daughter-in law, Beena and servant Raja.

As our ‘Lions of Mirzapur’ grieve before their fate, we ponder every flickering second that came before this moment. Bablu’s earlier conversation with his father over a cup of tea comes to mind. “Koi option tha kya papa, ke hum yeh join hee na karte?” asks Bablu.
“Iss me koi doubt nahi hai Bablu beta..uss raaste pe sirf anth hain!” replied his father not so long ago!

Munna’s rage has elements of a Shakespearean soliloquy almost confiding in himself as well as his audience when he tries to explain his choices and inner turmoil. “Bohot taqleef hoti hain jab aap Yogya ho, aur log apki Yogyata na pechanay…”. Approaching Bablu, Munna exclaims, “lekin tumsay sikhay guru, kay bandook kay sath demaakh chalana bhi jaroori hota hain”. The tragic downfall of our beloved brothers reminded me so much of that famous ‘Karan Arjun’ pre- reincarnation scene as both brothers look towards each other for one last time. I found myself raised from my seat with anxiety, holding my head not wanting the scene to continue. Like Guddu, I seal my eyes shut but as they open, Bablu is taken away from us! Any sound vanishes from the screen and from our hearts. I literally had to hit the ‘pause’ button to digest this news!

As Fukrey Returns’ ‘Mehbooba’ plays in the background, in a great turn of events, Guddu points to the revolver before Golu whilst still paralysed against the floor. “Golu nishana lagao aur daagh doh”. The Mirzapur title theme plays as Golu jumps up and aims the gun towards her sister’s killer, distracting Munna and his men. In turn, La La’s men are able to retaliate against their unannounced wedding guests. Rather than a fancy ‘Daawat’, guests have been treated to ‘Goliyan’ at this wedding!
After losing his pregnant love Sweety and ‘do jism, ek jaan’ wala bhai Bablu, a mentally and physically scarred Guddu is escorted out of the ‘Shabnam Shaadi Massacre’ by angels in sister and sister-in-law, Dimpy and Golu. This is such progressive writing as the female characters are no damsels in distress but are actually saving the day and give us hope for redemption.

Final Thoughts…

As ‘Vaaroon’ replayed over the rolling credits, I was in tears of sadness. What a Finale! I don’t think I’ve ever been so moved by a show in my life…

As a fan of the works of cinematic auteurs ranging from Tarantino, Lurhmann, Scorsese, Coppola and Kashyap, I could feel an essence of their worlds colliding here but with a completely original authentic flavour that becomes the madly magnificent Mirzapur. This show stands in a world of its own with it’s unique Desi charm, U.P. dialogue and kickass characters who feel like family and hold the heart and soul at the centre of it’s story. This is quite rightly a recent masterpiece that was truly made for the fans and paves the way for a defining moment in Indian OTT platform and cinematic history, thanks to Excel Entertainment and Amazon Prime Video.

Now, the wait is almost over for the ONE question that everybody has been asking: “Mirzapur Season 2 kab aaraha hai?” and it looks like season 2 is finally hitting our TV screens very soon!

I just want to know…

Will Golu and Dimpy actively seek vengeance with Guddu?
Will La La join hands with Guddu to rival the Tripathis?
Will Gupta and Mr Pandit reconsider their own ethics and principles, considering they have now lost Sweety and Bablu?
Did Maurya survive?
Is Beena going to be pregnant with Satyanand Tripathi’s child?
How will Shukla’s son Sharad (played by Anjum Sharma) make a new entrance into Mirzapur? We hear the echoes of Rati Shankar Shukla’s lifelong desire of “Humko Mirzapur chaiye Sharad…kisi bhi keemat pe…”

Now, all I have left to say is that I cannot wait to binge-watch the hell out of a second helping of Mirzapur. Bring it On, Excel Entertainment!

Mad For Mirzapur!